Tuesday, March 13, 2012

Friends:Stefano Serusi



Images source: Eurojump

With Stefano one can wander the city for hours exploring corners, churches and windows like you have not ever seen it before.  His work to me reveal something of this explorer. His works; romantic and somewhat nostalgic seems like little discovered treasures and souvenirs of  a timeless journey.  In his interview with with Arianna Beretta, he shares a poetic thought:  "Everybody  needs to be someone else for 15 minutes a  day". 

His exhibition "Trame Parallele" with Agnese Guido at Underdogstudio in Modena  will open on 17 March and run until 7 April. It is curated by  Andrea Lacarpia.

Monday, March 5, 2012

Antropologia Visuale: Experimental blog

For one of my subjects called Visual Anthropology we discussed concepts such as iconology and iconoclasm. Based on ideas of Bruno Latour, W.J.T Mitchell, Regis Debray it was quite a challenging and stimulating class. For the exam we could then develop arguments around these themes. I created a presentation on Tumblr, to explore the concept of iconoclasm within the contemporary art scened fot he 1980's to the end of the 1990's in South Africa. The Tumblr is supposed to be like a mini exhibition which summarised the main points and shows some artworks. Of course it is not all comprehensive, so probably miss a lot of things. 
 Another thing that I am not completely satisfied with is the actual design of the presentation, but I 've been trying to find the right theme that doesn't cost an arm and a leg, that gives an exhibition feel. I am still in the dark on editing the codes so that I can actually reset the column widths and for example change the way it squeezes the pictures, it is just so time consuming to try and read trough the codes.  See the actual blog here.



Sunday, March 4, 2012

Exhibition review: Pipilotti Rist


Here is an exhibition review that I wrote a while back for our class in writing, I thought it would be good to post it here. I have to say that I loved the exhibition.

Image from Designboom

The exhibition Parasimpatica by Pipilotti Rist combines some of her old and new work incorporated into the space of the old Manzoni cinema. The viewer is immersed into a psychedelic world of bodies, fruits and liquids. 

In the entrance hall a chandelier of underpants hangs from the roof with a colourful video projected onto it.  As one enters overhead on the stairs, viewers can see a large projection with seductive music. In the foyer one video is shown behind the bar and another next to another staircase. This leads into the auditorium which shows three major video works.  Viewers who visit the restrooms are surprised by small video projections in the toilets.

The work seems to capture a kind of zeitgeist of the images that is an occurring theme in popular culture especially evident on blog platforms such as Tumblr etc; free-spirited nymph-like figures of women, sexuality, youth and nature. Despite of the familiarity of these images, the hallucinatory colours and slightly playful upbeat nature of the work, it still addresses some serious questions about the body, our physicality, and the portrayal of women in pop culture.

The show is seductive, visually stimulating and could risks being too indulgent, but she does succeed to pull one into the works and make you want to understand more. 

Saturday, March 3, 2012

The end of the world



I only realised after the quilt was finished the the N was the wrong way around after a friend pointed it out to me. How did I miss it?

Friday, March 2, 2012

Barbeque # 6, Cures for nostalgia


So here are a few pages from Barbeque #6, a fanzine by  MEME arte contemporanea, a gallery in Cagliari, Sardinia. Every issue is done by  a different artist. I did the sixth issue which was launched with the exhibition Un infuso per guarire by Laura Fonsa. Infuso per guarire translates into Infusion for curing. I made a book which included three of my favourite South African recipes as a cure for nostalgia. The work is actually super nostalgic and simple and perhaps a little bit too sentimental, but I like it. I  also like the possibility that these recipes could now be made in Sardinia.